International Competition
AND ME, I’M DANCING TOO by Mohammad Valizadegan (IR/DE/CZ, PakFilm)
AS IF MOTHER CRIED THAT NIGHT by Hoda Taheri (DFFB)

Swiss Competition
HOW TO FLY by Micha Muhl (DE/CH)
THERE IS NO END TO THIS STORY by Cosima Frei (DE/CH)

Person in Focus: Willy Hans
AFFENSTUNDE by Willy Hans
AFTER TWO HOURS, TEN MINUTES HAD PASSED (NACH ZWEI STUNDEN WAREN ZEHN MINUTEN VERGANGEN) by Steffen Goldkamp
THE INACCESSIBILITY OF ANCIENT GREECE AND ITS IMPACT (DIE UNZUGÄNGLICHKEIT DER GRIECHISCHEN ANTIKE UND IHRE FOLGEN) by Gerrit Frohne-Brinkmann, Paul Spengemann
POCKET CALL by Paul Spengemann
THE SATANIC THICKET – ONE (DAS SATANISCHE DICKICHT – EINS) by Willy Hans
THE SATANIC THICKET – THREE (DAS SATANISCHE DICKICHT – DREI) by Willy Hans
THE SATANIC THICKET – TWO (DAS SATANISCHE DICKICHT – ZWEI) by Willy Hans
THE STRANGE PHOTOGRAPHER AND THE SOLITUDE (DER FREMDE FOTOGRAF UND DIE EINSAMKEIT) by Willy Hans, Jan Eichberg
WHAT PROBABLY WOULD HAVE HAPPENED, IF I HADN’T STAYED AT HOME (WAS WAHRSCHEINLICH PASSIERT WÄRE, WÄRE ICH NICHT ZUHAUSE GEBLIEBEN) by Willy Hans

Death by Sports
BACKFLIP by Nikita Diakur (DE/FR)

Best of European Film Awards
WILL MY PARENTS COME TO SEE ME by Mo Harawe (AT/DE/SO)

Kill Your Darlings
PROTON IN THE DARKSLIDE (PROTON IN DER DUNKELRUTSCHE) by Carsten Knoop, Dorit Kiesewetter

Focus: O Canada
THE BAD BREAST by Bruce LaBruce (CA/DE)

Sparks Junior
FILL3 by Anne Lucas