Competition
HARVEST by Athina Rachel Tsangari (GB/DE/GR/FR/US, MFP)
MARIA by Pablo Larraín (DE/IT/US), Komplizen Film)

Out Of Competition - Non Fiction
RIEFENSTAHL by Andres Veiel (Vincent Productions)

Out Of Competition – Series
FAMILIER SOM VORES (FAMILIES LIKE OURS) by Thomas Vinterberg (DN/FR/SE/CZ/BL/NO/DE, Zentropa Berlin)

Orrizonti Extra
SEPTEMBER 5 by Tim Fehlbaum (BerghausWöbke Filmproduktion, Constantin Film, ERF Edgar Reitz Filmproduktion)
GECENİN KIYISI (EDGE OF NIGHT) by Türker Süer (DE/TR, MFP)
SHAHED (THE WITNESS) by Nader Saeivar (DE/AT, Arthood Film)

Orrizonti
HAPPY HOLIDAYS by Scandar Copti (DE/PS/FR/IT/QA, Red Balloon Film)
QUIET LIFE by Alexandros Avranas (DE/FR/EE/SE/GR/FI, Senator Film Produktion)

Venice Classics
FROM DARKNESS TO LIGHT by Michael Lurie, Eric Friedler (AU/DE)
LES FLOCONS D'OR (GOLDFLOCKEN) by Werner Schroeter (DE/FR, Janus Film und Fernsehen)

Venice Immersive – In Competition
SYMBIOSIS/\DYSBIOSIS: SENTIENCE by Tosca Terán, Brendan Lehman, Andrei Gravelle, Sven Steffens (CA/DE/CL, The Mycelial Network)

Biennale College Cinema - Immersive - Out Of Competition
BELOW DECK by Martina Mahlknecht, Martin Prinoth (DE/IT, TÒ SU)
DUCHAMPIANA by Lilian Hess (FR/DE, mYndstorm productions)

Giornate Degli Autori
BOOMERANG by Shahab Fotouhi (DE/IR, New Matter Films)
SANATORIUM UNDER THE SIGN OF THE HOURGLASS by Quay Brothers (GB/DE/PL, MFP)

Settimana Della Critica
PEACOCK (PFAU) by Bernhard Wenger (AT/DE, Cala Film)

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VENICE PRODUCTION BRIDGE

Gap Financing Market
Fiction
NO GOOD MEN by Shahrbanoo Sadat (DE/FR/NO/DN, Adomeit Film, Amerikafilm)

Immersive
BODY/MEMORY by Stefano Casertano (DE/IT, Daring House)
LALALABYRINTH (WT) by Pedro Harres (Reynard Films)
RESONANZ by David Adler and Ioulia Isserlis (DE/DN, Anotherworld VR)

Biennale College Cinema - Immersive Projects
EDIFICE by Andreea Ion Cojocaru (DE/US, Numena)

Final Cut
Docu-Fiction
ANCESTRAL VISIONS OF THE FUTURE by Lemohang Jeremiah Mosese (FR/DE/LS)