Concorso Internazionale
WITH HASAN IN GAZA by Kamal Aljafari (DE/QA/CH/FR, kamal aljafari productions) – Opening Film
PHANTOMS OF JULY (SEHNSUCHT IN SANGERHAUSEN) by Julian Radlmaier (Blue Monticola Film)
DONKEY DAYS by Rosanne Pel (NL/DE, Junafilm)
DRY LEAF by Alexandre Koberidze (DE/GE, New Matter Films)
WHITE SNAIL by Elsa Kremser, Levin Peter (AT/DE, ma.ja.de)
DESIRE LINES by Dane Komljen (RS/BA/NL/HR/DE, Flaneur Films)

Concorso Cineasti Del Presente
THE PLANT FROM THE CANARIES by Ruan Lan-Xi (DFFB)
THE FIN by Syeyoung Park (KR/DE/QA)

Piazza Grande
THE DEAD OF WINTER by Brian Kirk (DE/US, Augenschein Films)
SENTIMENTAL VALUE by Joachim Trier (NO/FR/DK/DE, Komplizen Film)
LA PETITE DERNIÈRE (THE LITTLE SISTER) by Hafsia Herzi (FR/DE, Katuh Studio)

Pardi Di Domani: Concorso Internazionale
UNLEADED 95 (BLEIFREI 95) by Emma Hütt, Tina Emy Muffler (AT/DE, SUPERZOOM Film)
BLIND, INTO THE EYE (BLIND, INS AUGE) by Atefeh Kheirabadi, Mehrad Sepahnia (DE/IR, plotlessfilm)
UNIFORMED (DIE UNIFORMIERTEN) by Timon Ott (EINBAUM FILM)

Pardi Di Domani: Concorso Corti D’autore
SLET 1988 by Marta Popivoda (DE/FR/RS)
LATE HARVEST (SPÄTERNTE) by Katharina Huber

Panorama Suisse
LATE SHIFT (HELDIN) by Petra Biondina Volpe (CH/DE, MMC Zodiac)

Open Doors Screening
ANCESTRAL VISIONS OF THE FUTURE by Lemohang Jeremiah Mosese (LS/FR/DE,
SEERA Films)
NEW MAN by Carlos Yuri Ceuninck (CV/BE/DE/ SD, AUTENTIKA FILMS)
TUG OF WAR by Amil Shivji (TZ/SA/DE/QA,NIKO Film)

Histoire(s) du Cinéma 
SILENT NIGHT by Carlos Reygadas (MX/FR/NL/DE, The Match Factory)

Semaine De La Critique
THE COWBOY by André Hörmann (DE/USA, TELEKULT Film- und Medienproduktion)

LOCARNO PRO
Alliance4development
AMOR Y REBELDÍA (LOVE AND REBELLION) by Sarah Miro Fischer produced by Titus Kreyenberg and Nina Sophie Bayer-Seel (Una Film, Germany)
HOW TO WALK ON WATER (CÓMO CAMINAR SOBRE EL AGUA) by Sofía Ayala, produced by Maritza Grass and Vincent Edusei (Carousel Film, Germany), and Mathilde Warisse (Wrong Films, France)