World Cinema
EVERYTIME by Sandra Wollner (DE/AT, The Barricades)
I RARELY WAKE UP DREAMING (SELTEN WACHE ICH TRÄUMEND AUF) by Isabelle Stever (DE/UA, X-Filme Creative Pool)
ROSE by Markus Schleinzer (DE/AT, Walker+Worm, ROW Pictures)
GENTLE MONSTER by Marie Kreutzer (AT/DE/FR, Komplizen Film)

Flash Forward
OASIS (OASE) by Jannis Lenz (DE/AT, Zeitgeist Filmproduktion, Third Picture)
A DAY IN THE LIFE OF JO: CHAPTER PHAEDRA by Jacqueline Lentzou (GR/DE/FR, Kelek Film)

Wide Angle – Documentary Showcase
GABIN by Maxence Voiseux (FR/DE/CH, AMA FILM)

Icons
MY WIFE CRIES (MEINE FRAU WEINT) by Angela Schanelec (DE/FR, Blue Monticola)
YELLOW LETTERS (GELBE BRIEFE) by Ilker Çatak (DE/FR/TR, if…productions)
ALL OF A SUDDEN by Ryûsuke Hamaguchi (FR/JP/DE/BE, Heimatfilm)
MINOTAUR by Andrey Zvyagintsev (FR/DE/LV, Razor Film Produktion)
FATHERLAND (VATERLAND) by Pawel Pawlikowski (PL/DE/IT/FR, Nine Hours)
FROM INSIDE OUT – THE ARCHITECTURE OF PETER ZUMTHOR by Wim Wenders (DE/CH, Road Movie, DCM)

Vision Asia
ZOGSOOL by SAKHYA Byamba (MN/DE, BUCK)

A Window on Asian Cinema
HEAD TO HEAD by Ghasideh Golmakani (IR/DE, Ghasideh Golmakani)
ELEPHANTS IN THE FOG (ELEFANTEN IM NEBEL) by Abinash Bikram Shah (NP/DE/BR/FR/NO, Die Gesellschaft DGS, Zischlermann Filmproduktion)
PROMISED SPACES by Ivan Marković (FR/KH/RS/DE, Fiskultura Films)
NO GOOD MEN by Shahrbanoo Sadat (DE/FR/NO/DK/AF, Adomeit Film, Amerikafilm)