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Heinz Emigholz was born in 1948 near Bremen. He trained as a draftsman and studied Philosophy and Literature in Hamburg. Since 1973, he has worked as an independent filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series THE BASIS OF MAKE-UP. He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series PHOTOGRAPHY AND BEYOND. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin since 1993, and co-founded the Institute for Time-based Media and the Art and Media program there. A selection of his highly-acclaimed films includes: SCHENEC-TADY I-III (1973-1975), ARROWPLANE (1974), TIDE (1974), HOTEL (1976), DEMON (1977), NORMALSATZ (1981), THE BASIS OF MAKE-UP I-III (1983-2004), DIE WIESE DER SACHEN (1987), DER ZYNISCHE KÖRPER (1990), SULLIVAN’S BANKS (2000), MISCELLANEA I-III (2001-2004), GOFF IN THE DESERT (2003), D'ANNUNZIO’S CAVE (2005), SCHINDLER’S HOUSES (2007), LOOS ORNAMENTAL (2008), SENSE OF ARCHITECTURE (2009), PARABETON-PIER LUIGI NERVI AND ROMAN CONCRETE (2012), PERRET IN FRANCE AND ALGERIA (2012), TWO MUSEUMS (2013), and STREETSCAPES (2017). More at