Selected International Film & TV Markets

Cannes Film Festival

Festival de Cannes
5, rue Charlot
75003 Paris
France
phone +33-1- 53 59 61 00
fax +33-1- 53 59 61 10
http://www.festival-cannes.com
email: festival@festival-cannes.fr

Cinefondation
5, rue Charlot
75003 Paris
France
phone +33 1 53 59 61 21
fax +33 1 53 59 61 24
http://www.cinefondation.com
email: cinefondation@festival-cannes.fr

Marche du Film
5, rue Charlot
75003 Paris
France
phone +33-1-53 59 61 30
fax +33-1-53 59 61 50
http://www.marchedufilm.com
email: marketinfo@festival-cannes.fr

Quinzaine des Realisateurs
14, rue Alexandre Parodi
75010 Paris
France
phone +33-1-44 89 999
fax +33-1-44 89 99 60
http://www.quinzaine-realisateurs.com
email: infos@quinzaine-realisateurs.com

Semaine de la Critique
17, rue des Jeûneurs
75002 Paris
France
phone +33 1 45 08 14 54
fax +33 1 45 08 14 55
http://www.semainedelacritique.com
email: contact@semainedelacritique.com

ACID
14, rue Alexandre Parodi
75010 Paris
France
phone +33 (0)1 44 89 99 74
fax +33 (0)1 44 89 99 60
https://www.lacid.org/fr/cannes
email: infos@lacid.org

President
Pierre Lescure

Artistic Directors
Thierry Fremaux (International Competition), Genevieve Pons-Caillox (Un Certain Regard)



Year of Foundation 1946

Event Date from 06 July 2021 till 17 July 2021

Event Date

in Cannes, France

International Competition

Sections Competition (feature and short films), Out of Competition; Un Certain Regard, Quinzaine des Realisateurs, Semaine de la Critique, Cinefondation (medium-length and short films), Marché du Film, ACID Cannes


COVID-19-UPDATE:

DIRECTORS’ FORTNIGHT
Status: cancelled
Initial dates: 13-23 May 2020

SEMAINE DE LA CRITIQUE
Status: cancelled
Initial dates: 13-21 May 2020

ACID
Status: cancelled
Initial dates: 12-23 May 2020

Terms of Entry COMPETITION Feature Films Cinema, Short Films, films may not be older than May 2019; shorts produced outside of film schools up to 15 min., commercial exploitation only in the country of origin; no participation in international festivals or similar film events, no previous exploitation on Internet
UN CERTAIN REGARD Feature Films Cinema, films may not be older than May 2019; commercial exploitation only in the country of origin; no participation in international festivals or similar film events, no previous exploitation on Internet
QUINZAINE DES REALISATEURS Feature Films Cinema, Short Films, no commercial exploitation in France, no participation in competition festivals or similar film events (exception: market screenings) outside the country of origin, films may not be older than May 2019
SEMAINE DE LA CRITIQUE Feature Films Cinema, Documentary Films, Short Films, films may not be older than May 2019, no previous participation in international competition festivals or similar important film events outside the country of origin; feature length films and documentary films: no length restriction, only first and second feature film by a director
CINEFONDATION Animated Films, Feature Length Films, Short Films, only films of film schools, productions may not be older than 18 months, up to 60 min.
ACID Feature films (fiction and documentaries running time 60minutes minimum). Films with no previous release in French theatres, television broadcast, internet or VOD. Films not selected in Berlin / Venice / Locarno. Screening formats in Cannes: DCP with French and English subtitles. Films produced after May 1st 2019 * For films without a French Distributor. Films produced for cinema (no television film)

Subtitles English subtitles necessary French subtitles recommended

Format DCP

Registration Deadline COMPETITION/UN CERTAIN REGARD: 1 March 2019 (short films), 4 March 2019 (feature films)
QUINZAINE DES REALISATEURS: 13 March 2020 (short films), 27 March 2020 (feature films), Early Bird: 31 December 2019
SEMAINE DE LA CRITIQUE: 11 March 2019 (short and feature films)
CINEFONDATION: 15 February 2019
ACID Submission from December 16th and to March 18th 2020 (short films to 9th of March).

Fees COMPETITION/UN CERTAIN REGARD DVD/Blu-ray: € 50; Beta (SP or Digital) € 150; DCP: € 300; HDCam/HDCam-SR: € 350-QUINZAINE: €125 (features), €170 (DCP submission), €25 (shorts)-SEMAINE: €120 (feature), €25 (short)-ACID: €80 (feature)

Attendance Figures 23,000 representatives from film institutions: 2,900, artists: 1,550, producers, distributors, film industry: 7,500; cinephiles: 4,600

Participants of the Film Industry MARCHE DU FILM: 12,400 registered participants, 3,820 films on sale, 1,400 screenings.

Prizes/Awards Golden Palm (Best Feature Film), Grand Jury Prize, Best Actor/Actress, Best Director, Best Screenplay; Special Jury Prize, Short Film Prize
Golden Camera for Best First Film, Cinefondation Award (First Prize € 15,000, Second Prize € 11,250, Third Prize € 7,500), SACD prize, the Label Europa Cinemas, the Art Cinema Award, FIPRESCI Prize
SEMAINE DE LA CRITIQUE Nespresso Grand Prix (€15,000), Leica Cine Discovery Prize (€4,000)

German Films

2021

In Competition
ANNETTE by Leos Carax (FR/DE/BE, CG Cinema, Detailfilm, Eurospace, SCOPE Pictures, Wrong Men) – Opening Film
BERGMAN ISLAND by Mia Hansen-Løve (FR/BE/DE/SE, CG Cinéma, SCOPE Pictures, Bioskop Film, Plattform Produktion)
COMPARTMENT NO. 6 by Juho Kuosmanen (FI/RU/EE/DE, Aamu Film, CTB Films, Amrion Production, CTB Film Company, Achtung Panda!)
FRANCE by Bruno Dumont (FR/DE/BE/IT, 3B Productions, Red Balloon Film, Scope Pictures, Tea Time Film)
HA'BERECH (AHED’S KNEE) by Nadav Lapid (FR/DE/IL, Les Films du Bal, Komplizen Film, Pie Films)
LINGUI by Mahamat-Saleh Haroun (FR/DE/BE, Pili Films, Made in Germany, Beluga Tree)
MEMORIA by Apichatpong Weerasethakul (CO/MX/FR/GBR/TH/DE/CN/CH, The Match Factory, Kick the Machine, Burning Blue, Illumination Films, Anna Sanders Films, Piano)
PETROV’S FLU by Kirill Serebrennikov (RU/CH/FR/DE, Hype Film, Logical Pictures, Bord Cadre Films, Arte France Cinéma, Charades, Razor Film Produktion)
THE FRENCH DISPATCH by Wes Anderson (US/DE, American Empirical Pictures, Indian Paintbrush, Studio Babelsberg)
THE STORY OF MY WIFE by Ildikó Enyedi (HU/DE/FR/IT Inforg Studio, M&M Film, Komplizen Film, Pyramide Productions, Moliwood Films

Un Certain Regard
GROSSE FREIHEIT by Sebastian Meise (AT/DE, Freibeuter Film, Rohfilm Poductions)
NOCHE DE FUEGO (PRAYERS FOR THE STOLEN) by Tatiana Huezo (MX/DE/BR/CH, Pimienta Films, Devisa, Match Factory Productions, Bord Cadre Films)

Cannes Premieres
EVOLUTION by Kornél Mundruczó (DE/HR, Match Factory Productions, Proton Cinema, ZDF/arte, Proton Theatre)

53rd Quinzaine des Realisateurs (07 - 17 July 2021)

Longs Métrages
LES MAGNETIQUES by Vincent Cardona (FR/DE, Srab Films, Easy Tiger, Elemag Pictures, Port au Prince Film & Kultur Produktion)
CLARA SOLA by Nathalie Álvarez Mesen (SE/BE/CR/DE, Hobab, Laïdak Films, Need Productions, Pacífica Grey, Resolve Media)

60th Semaine de la Critique (07 – 15 July 2021)

Competition Feature Film
AMPARO by Simón Mesa Soto (CO/SW/DE/QA, Ocultimo, Momento Film, Flare Film, Medio de Contención Producciones)
THE GRAVEDIGGER’S WIFE by Khadar Ayderus Ahmed (FI/DE/FR, Bufo, Twenty Twenty Vision, Pyramide Production)

Prizes for German films Grand Prix (ex aequo)
COMPARTMENT NO. 6 by Juho Kuosmanen (FI/RU/EE/DE, Aamu Film, CTB Films, Amrion Production, CTB Film Company, Achtung Panda!)

Best Director
Leos Carax for
ANNETTE by Leos Carax (FR/DE/BE, CG Cinema, Detailfilm, Eurospace, SCOPE Pictures, Wrong Men)

Jury Prize (ex aequo)
MEMORIA by Apichatpong Weerasethakul (CO/MX/FR/GBR/TH/DE/CN/CH, The Match Factory, Kick the Machine, Burning Blue, Illumination Films, Anna Sanders Films, Piano)
HA'BERECH (AHED’S KNEE) by Nadav Lapid (FR/DE/IL, Les Films du Bal, Komplizen Film, Pie Films)

CST Artist – Technician Prize
Vladislav Opeliants, Chief Director of Photography, for
PETROV’S FLU by Kirill Serebrennikov (RU/CH/FR/DE, Hype Film, Logical Pictures, Bord Cadre Films, Arte France Cinéma, Charades, Razor Film Produktion)

Un Certain Regard – Jury Prize
GREAT FREEDOM (GROSSE FREIHEIT) by Sebastian Meise (AT/DE, Freibeuter Film, Rohfilm Poductions)

Un Certain Regard – Special Mention
PRAYERS FOR THE STOLEN by Tatiana Huezo (MX/DE/BR/CH, Pimienta Films, Devisa, Match Factory Productions, Bord Cadre Films)

Queer Palm – Short
FRIDA by Aleksandra Odic (DFFB)

Number of Films Shown COMPETITION: 19 films
OUT OF COMPETITION: 17 films
QUINZAINE DES REALISATEURS: 20 - 30 films
UN CERTAIN REGARD: 21 films
MARCHE DU FILM: 1,400 screenings (920 films)

Media Coverage more than 3,300 national and international journalists from around 75 countries; extensive coverage in all media worldwide, in particular television reports

Specific Characteristics Recognized by FIAPF (International Federation of Film Producers Associations) as Competitive Feature Film Festival (so-called "A-Festival"). The winner of the short film competition automatically qualifies for the OSCAR competition for the Best Short Film.

Evaluation The most important film festival of the world, and the best known. International distributors scramble to get the prize-winning films and pay extremely high sums for these. The official section Cinéfondation presents short films from film students all over the world. The first long feature film of the director who receives the first prize, will automatically be presented at the International Film Festival in Cannes. The independent side-bars Quinzaine des Réalisateurs and Semaine de la Critique also contribute to both the fame and the quality of the festival program.

Services The French subtitling expenses are the responsibility of the producer.
Moreover, all films with dialogues in a language different from English or French will be electronically subtitled in English. The screening of those subtitles will be operated by the Festival service provider.

Cannes Résidence: The Festival offers young filmmakers who are working on their first or second film and who have made short films before the opportunity to stay at the residence of the Cinéfondation in Paris for half a year. For further information on the terms and conditions and further details http://www.festival-cannes.com/en/cinefoundation/theResidence.html

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