Selected International Film Festivals

Busan International Film Festival

Busan International Film Festival
3rd Fl., BIFF HILL, Busan Cinema Center 120, Suyeonggangbyeon-daero, Haeundae-gu
612-020 Busan
South Korea
phone +82 1688 3010
fax +82 51 709 2299
http://www.biff.kr
email: submission@biff.kr

Seoul Office
5th Floor, Seven Bldg., 13-21 Namsan-dong 3-ga, Jung-gu
100-043 Seoul
South Korea
phone + 82 2 3675 5097
fax + 82 2 3675 5098

Director
Mr. Lee Yong Kwan

Deputy Director
Mr. Jay Jeon
program@biff.kr

Year of Foundation 1996

Event Date from 03 October 2019 till 12 October 2019

in Busan, South Korea

Sections Gala Presentations: Premiere screenings of renowned directors' new films or masterpieces
World Cinema: recent and top films from well-known directors
A Window on Asian Cinema: recent Asian feature films (excluding Korea)
Flash Forward: first and second films from non-asian countries
New Currents: recent Asian feature films by new directors (including Korea)
Korean Cinema Today: recent Korean feature films
Korean Cinema Retrospective: Korean feature films from past
World Cinema: recent feature films from around the world (excluding Asia and Korea)
Wide Angle: recent short films, animations, documentaries, and experimental films presenting broader cinematic viewpoints with a different and distinct vision.
Open Cinema: recent and relatively commercial feature films
Special Programs in Focus: Changes the theme annually
Midnight Passion: horror, sci-fi and cult films acclaimed

Category Documentary, Feature, Short

Terms of Entry The festival program gives priority to world and international premiere screenings. All screenings must be at least Korean premieres. Films under 60 min. are considered as short films. All films have to be completed after October 2018. Films can be submitted along with a DVD screener or with a secure online screener via Withoutabox.

Genre Animation, Drama, Documentary Films, Short Films, Horror

Subtitles English subtitles necessary

Format 35 mm, DCP, HDCAM, DigiBeta

Registration Deadline Shorts: 26 June 2019
Features: 31 July 2019

Fees none

Attendance Figures 165,000 Expected Number of Admissions: Over 200,000 audience members

Participating Guests: Over 10,000 guests from 70 countries

Participants of the Film Industry The Asian Film Market runs on 4 days during the film festival and attracted 2,188 professionals from 983 companies from 56 countries in 2019.

Prizes/Awards New Currents Award (30.000 USD), all other awards, funds, and prizes are only for films from Asia, FIPRESCI Prize

German Films

2019


Icons
IT MUST BE HEAVEN by Elia Suleiman (FR/DE/CA/TK, Pallas Film)
THE TRAITOR by Marco Bellocchio (IT/FR/BR/DE, Match Factory Productions)

A Window On Asian Cinema
SATURDAY AFTERNOON by Mostofa Sarwar Farocki (BD/DE, Tandem Production)
THE ORPHANAGE by Shahrbanoo Sadat (DK/DE/LU/FR/AF, Adomeit Film)
THE PERFECT CANDIDATE by Haifaa Al-Mansour (SA/DE, Razor Film Produktion)

World Cinema
A TALE OF THREE SISTERS by Emin Alper (TK/DE/NL/GR, Komplizen Film)
ELECTRIC GIRL by Ziska Riemann (DE/BE, NiKo Film, Wüste Film)
I WAS AT HOME BUT (ICH WAR ZUHAUSE, ABER) by Angela Schanelec (DE/RS, Nachmittagfilm Angela Schanelec)
LITTLE JOE by Jessica Hausner (AT/GB/DE, Essential Filmproduktion)
LOVE TRILOGY: CHAINED by Yaron Shani (IL/DE, The Post Republic)
LOVE TRILOGY: REBORN by Yaron Shani (IL/DE, The Post Republic)
LOVE TRILOGY: STRIPPED by Yaron Shani (IL/DE, The Post Republic)
REST IN GREECE by Florian Gottschick (DE/GR/AT, Volle Pulle Filmproduktion)
SYNONYMS (SYNONYME) by Nadav Lapid (FR/IL/DE, Komplizen Film)
WHITE ON WHITE by Théo Court (ES/CL/FR/DE, Kundschafter Filmproduktion)
YOU WILL DIE AT 20 by Amjad Abu Alala (SD/FR/EG/DE/NO/QA, Die Gesellschaft DGS)

Flash Forward
CHRONOLOGY by Ali Aydin (TK/DE, Tamtam Film)
MOTHERLAND by Tomas Vengris (LT/LV/DE/GR, Heimathafen Film)
THE ACCIDENTAL REBEL by Randa Chahoud (DE/GB, Neue Impuls Film)

Open Cinema
MARTIN EDEN by Pietro Marcello (IT/DE/FR, Match Factory Productions)

Number of Films Shown Approx. 300 films from 70 countries

Media Coverage 1988 domestic and 452 foreign journalists from TV, radio, daily newspapers and magazine

Specific Characteristics Recognized by FIAPF (International Federation of Film Producers Associations) as Competitive Spezialised Feature Film Festival.

Evaluation The festival has grown in size and importance to be one of Asia's most if not the most important festivals. The primarily young audience is enthusiastic. The Pusan Promotion Plan, the festival's professional sidebar, has developed into an important annual gathering of film professionals from all over the world. It is of great importance to European filmmakers, producers and world sales companies who find excellent opportunities to advance into the Asian market. Good organization and a constantly improving quality of the cinemas complement the wide-ranging program. The European Film Promotion is regularly represented by a high-powered delegation of European filmmakers.

Services The festival covers for Korean subtitling and shipping of print (one way or roundtrip depending on situation).

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