Festival Calendar

Torino Film Festival

Torino Film Festival
Via Montebello 15
10124 Torino
phone +39-011-81 38 811
fax +39-011-81 38 890
http://www.torinofilmfest.org
email: info@torinofilmfest.org

Festival Director
Mrs. Emanuela Martini
martini@torinofilmfest.org

Programming
Mr. Luca Andreotti
luca.andreotti@torinofilmfest.org

Torino Film Lab - Content Manager
Mrs. Olga Lamontanara
olga.lamontanara@torinofilmlab.it

Year of Foundation 1982

Event Date from 22 November 2019 till 30 November 2019

in Torino, Italy

International Competition

Sections Torino 37 (International Feature Films and Documentaries Competition), Festa Mobile (non-competitive section), After Hours (non-competitive section dedicated primarily to genre films, horror movies, science fiction, film noir, midnight movies, "nocturnal" filmmakers and B movies), Onde (non-competitive section that focuses on new and experimental works in world cinema, without limitations of length, format or support), TFFdoc (competitive), Italiana.corti (Italian Short Films Competition), Spazio Torino (Regional Competition), Tributes and Retrospectives, Special Screenings.

The TorinoFilmLab (backed by the festival) is a a year-round laboratory supporting emerging talents from all over the world working on their first and second feature films, through training, development and funding activities. For further information, visit www.torinofilmlab.it.

Terms of Entry First and second films are eligible for competition; completion after 1 September 2016, no prior screening in Italy, no prior participation in the competition of Cannes, Berlin and Locarno (features), shorts by invitation only and up to max. 40 min.

Genre Educational, Erotic, Film Noir, Mystery, Horror

Subtitles English subtitles necessary

Format 16 mm, 35 mm, DCP

Registration Deadline 06 September 2019

Fees none

Attendance Figures 78,000

Participants of the Film Industry about 50 producers & buyers and 50 festival scouts

Prizes/Awards Torino 35: Best Film, Best Actress/Actor, Special Jury Prize.
Documentary Competition: Best International Documentary, Best Italian Documentary, Special Jury Award.
Italiana.Corti Competition: Best Film, Special Jury Award.
Spazio Torino: Best Film.
Ciputti Award (best film about the working world)

German Films

2019

TORINO 37 - Competition
PRÉLUDE by Sabrina Sarabi (about:film, Weydemann Bros.)

A Moveable Feast
THE WHISTLERS by Corneliu Porumboiu (RU/FR/DE, Komplizen Film)

A Moveable Feast: Teona Strugar Mitevska
THE WOMAN WHO BRUSHED OFF HER TEARS by Teona Strugar Mitevska (MK/DE/SI/BE, ostlicht filmproduktion)

A Moveable Feast: TorinoFilmLab
THE FEVER by Maya Da-Rin (BR/FR/DE, Komplizen Film)

After Hours
AN UNCERTAIN BORDER by Isabella Sandri (IT/DE, Indi Film)
GUNS AKIMBO by Jason Lei Howden (DE/NZ, Pump Metal Films Germany, Maze Pictures)

TFFdoc: Internazionale.doc
SPACE DOGS by Elsa Kremser & Levin Peter (DE/AT, It Works! Medien)

TFFdoc: Desire
HEIMAT IS A SPACE IN TIME (HEIMAT IST EIN RAUM AUS ZEIT) by Thomas Heise (DE/AT, ma.ja.de. Filmproduktion)
LIBERTÉ by Albert Serra (FR/DE, Lupa Film)

Onde
MAMAN MAMAN MAMAN by Lucia Margarita Bauer (joon film)
SYNONYMES by Nadav Lapid (FR/IL/DE, Komplizen Film)

Si può fare!
NOSFERATU (NOSFERATU – EINE SYMPHONIE DES GRAUENS) by Friedrich Wilhelm Murnau (Prana-Film)
THE CABINET OF DR. CALIGARI (DAS CABINET DES DR. CALIGARI) by Robert Wiene (Decla-Film-Ges. Holz & Co.)


Number of Films Shown about 300 films from 27 countries

Media Coverage strong response from Italian press and international trade papers, over 450 journalists

Specific Characteristics Recognized by FIAPF (International Federation of Film Producers Associations) as Competitive Spezialised Feature Film Festival. The winner of the short film competition automatically qualifies for the OSCAR competition for the Best Short Film.

Evaluation Turin is presenting a festival with a focus on young and unconventional cinema. However, not only new international cinema in all its forms (DVD, experimental) is presented, some sections with retrospectives and tributes give the audience an impression of film history as well, and the festival is equally popular with the general public as with film professionals. The festival is a good support for distribution and marketing in Italy and frequently also offers a good international platform for films.

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