Festival Calendar

Sevilla International Film Festival

Sevilla Festival de Cine Europeo
Teatro Almeda
c/ Credito 13
41002 Seville
Spain
phone +34 955 47 31 99
http://festivalcinesevilla.eu/en/
email: info@festivalcinesevilla.eu

Festival Director
Mr. José Luis Cienfuegos

Year of Foundation 2001

Event Date from 09 November 2018 till 17 November 2018

in Seville, Spain

Sections Official Section, New Waves, News Waves Non-Fiction, Europa Junior, Edndless Revolutions, Eurimages Competition, EFA Selection and other non-competitive sections.

Terms of Entry The films screened in the country of origin after January 1st 2017. They must not have been screened in Spain before, only European films.

Subtitles English subtitles recommended Spanish subtitles recommended

Format 35 mm, DCP

Registration Deadline 08 September 2018

Attendance Figures 70,000

Participants of the Film Industry distributors, producers, film directors, actors, agents of different film institutions

Prizes/Awards Official: Golden Giraldillo to the best film, endowed with € 35.000; Special Jury Award (€25. 000); New Waves Award (€ 15.000); New Waves Non-Fiction Award (€ 10.000); Audience Award EFA Selection (€ 15.000); New Waves Special Award (€ 10.000); Endless Revolution Best Film Sward (€ 10.000); Cinephiles of the Future Award (€ 10.000); Europa Junior Award (€ 10.000); Eurimages Award (€ 5.000)


Best Script, Best Actress, Best Actor, Best Director of Photography

German Films

2018


Official Section
DONBASS by Sergei Loznitsa (ma.ja.de Fiction)
NEVER LOOK AWAY (WERK OHNE AUTOR) by Florian Henckel von Donnersmarck (Pergamon Film, Wiedemann & Berg Film)
TOUCH ME NOT by Adina Pintilie (RO/DE/CZ/BG/FR, Rohfilm Productions)
THE WILD PEAR TREE by Nuri Bilge Ceylon (TR/FR/DE/BG/MK/BA/SE, DETAiLFILM)
 
New Waves
ALL GOOD (ALLES IST GUT) by Eva Trobisch (TRIMAFILM, Starhaus Filmproduktion, University of Television and Film Munich)
 
New Waves Non Fiction
CHRIS THE SWISS by Anja Kofmel (CH/HR/DE/FI, ma.ja.de Filmproduktion)
VICTORY DAY by Sergei Loznitsa (Imperativ Film)
 
Revoluciones permanentes
HAPPY LAMENTO by Alexander Kluge (Kairos Film)
SANTOS #2, WORK IN PROGRESS by Anton Corbal (ES/DE)
 
Europe Junior
MARNIE’S WORLD (MARNIES WELT) by Christoph Lauenstein, Wolfgang Lauenstein (DE/BE, scopas medien)
 
Cinephiles of the Future
CHRIS THE SWISS by Anja Kofmel (CH/HR/DE/FI, ma.ja.de Filmproduktion)
 
Selection EFA
THE HOUSE THAT JACK BUILT by Lars von Trier (DK/FR/DE/SE, Zentropa Köln)
STYX by Wolfgang Fischer (DE/AT, Schiwago Film)
UNDER THE TREE by Hafsteinn Gunnar Sigurosson (IS/PL/DK/DE/FR, One Two Films)
 
Special Screening
LEMONADE by Ioana Uircaru (RO/CA/DE/SE, 42film)
 
A young continent
THE ISLAND (DIE INSEL) by Lars Ostmann (Film University Babelsberg KONRAD WOLF)
 
Short Matters!
BURKINA BRANDENBURG KOMPLEX by Ulu Braun (Studio Ulu Braun)
KONTENER (CONTAINER) by Sebastian Lang
I SIGNED THE PETITION by Mahdi Fleifel (GB/DE)
 
Ciclo Monocromía
32-RBIT by Víctor Orozco Ramírez (MX/DE)
KAPUTT (BROKEN – THE WOMEN’S PRISON AT HOHENECK) by Alexander Lahl, Volker Schlecht (Die Kulturingenieure)
 
Retrospective Ula Stöckl
DAS ALTE LIED by Ula Stöckl (Basis Film, Stoeckl Filmproduktion)
ANTIGONE by Ula Stöckl
THE CAT HAS NINE LIVES (NEUN LEBEN HAT DIE KATZE) by Ula Stöckl (Institut für Filmgestaltung Ulm)
DON’T TALK ABOUT FATE (REDE NUR NIEMAND VON SCHICKSA)L by Ula Stöckl
THE GOLDEN THING (DAS GOLDENE DING) by Ula Stöckl (Edgar Reitz Film)
SLEEP OF REASON (DER SCHLAF DER VERNUNFT) by Ula Stöckl (Common Film, Ula Stöckl Filmproduktion)
TALES OF THE DUMPSTER KID (GESCHICHTEN VOM KÜBELKIND) by Ula Stöckl (Edgar Reitz Film)
 
Retrospective Roy Andersson
A PIGEAN SAT ON A BRANCH REFLECTING ON EXISTENCE (EINE TAUBE SITZT AUF EINEM ZWEIG UND DENKT ÜBER DAS LEBEN NACH) by Roy Andersson (SE/DE/NO/FR/DK, Essential Filmproduktion)
YOU, THE LIVING (DAS JÜNGSTE GEWITTER) by Roy Andersson (SE/DE/FR/DK/NO/JP, Thermidor Filmproduktion)
 
Retrospective Ildiko Enyedi
MY TWENTIETH CENTURY (MEIN 20. JAHRHUNDERT) by Ildiko Enyedi (HU/DE/CU, Freihändler Filmproduktion)

Number of Films Shown 190

Media Coverage Around 200 accredited journalists with a percentage of 60% of local media and a 30% national and the remainder for international media. Most of the media that cover the Festival are press, and the same quantity for radio and television.

Evaluation The festival concentrates on European Cinema in general. It is rather small but well-organized and has very attractive prices for those distributors bringing their films to the festival or picking up awarded films here. That is why most of the leading distributors use the festivals to launch their films here rather than in Valladolid, which is a more important festival but does not offer any financial support for the Spanish distributors. Annual meeting of the European Film Academy is held at the festival.

Services The cost of transport, including customs fees, insurance of prints as well as their return freight must be covered by the producers or responsible authorities. The Festival is only responsible for the cost of storage and insurance of films while on the premises of the Sevilla Film Festival.

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